When familiar material returns, the music is now in the dominant keys of C minor and C major. It is not a literal repeat, though, as after the first few phrases, new material is interjected which ventures off into different keys. The second section introduces the solo piano and starts off in F major. All of the main melodic material of the movement is contained in this orchestral introduction, in either F major or F minor. The first violins play a dreamlike melody over an accompaniment consisting of second violins and violas playing repeated-note triplets and the cellos and bass playing pizzicato arpeggios. The opening section is for orchestra only and features muted strings. The Andante, in the subdominant key of F major, is in three parts. There is a cadenza at the end of the movement, although Mozart's original has been lost. The usual development and recapitulation follow. A series of rising and falling chromatic scales then transition the music to the true second theme of the piece, an ebullient G major theme, which can also be heard in Mozart's Third Horn Concerto. Immediately after an orchestral cadence finally announces the arrival of the dominant, the music abruptly shifts to G minor in a passage that foreshadows the main theme of the Symphony No. The piano then introduces new material in C major and begins transitioning to the dominant key of G major. The soloist plays a brief Eingang (a type of abbreviated cadenza) before resolving to a trill on the dominant G while the strings play the march in C major. The march returns, eventually transitioning to the entrance of the soloist. This uplifting theme transitions to a brief, quieter interlude distinguished by a sighing motif in the brass. The music grows abruptly in volume, with the violins taking up the principal melody over the march theme, which is now played by the brass. The opening movement begins quietly with a march figure, but quickly moves to a more lyrical melody interspersed with a fanfare in the winds. In both the autograph score and in his personal catalog, Mozart notated the meter as alla breve. The tempo marking is in Mozart's catalog of his own works, but not in the autograph manuscript. The concerto is scored for solo piano, flute, two oboes, two bassoons, two horns in C, two trumpets in C, timpani and strings. We're excited to assist you in finding the best hard hats for your safety needs.Problems playing these files? See media help. Want to learn more about our hi-vis hard hat options? Reach out to our friendly and knowledgeable team. With our safety hats, you can have confidence knowing that your team is protected on the job. HiVis Supply’s selection of construction hats meets rigorous safety standards to ensure impact resistance and a secure fit. Our hard hats provide top-notch head protection without losing anything in the way of comfort or style. Browse our inventory today and save on safety! We also carry hard hat lights and accessories, as well as headwear that can be worn underneath a safety hat. Hard hats utilize a unique suspension system that dissipates the energy from an impact to minimize the direct force of an object against the skull. Hard Hats are designed to prevent or decrease the severity of head injuries to workers by helping to protect against falling objects, impacts from blunt objects, and electrocution.
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